Distinctive etchings and vibrant paintings
Van Houten was one of the few female artists of her time to take up etching. In 1880, she spent a year in Paris, mastering the etching technique largely without instruction. After returning to the Netherlands, she produced expressive landscapes, portraits, powerful still lifes, and interior scenes. She also made many reproductions inspired by the Mesdag’s art collection, museum and residence. Van Houten lived with her uncle and aunt for two years, when she had ample time to explore her surroundings.
Van Houten stopped etching definitively in about 1910. From that time, colour became a defining element of her work, including her drawings. While her early works feature a subtle palette, the colours in her later pieces are increasingly vivid. Domestic scenes, portraits of those close to her and still lifes became her favourite subjects. Van Houten spent the last twenty years of her life in relative isolation, devoting herself entirely to her art. She continued painting until her final days.
The Mesdag Collection
The Mesdag Collection is home to the largest public collection of works by Barbara van Houten. A small number of these works were acquired by the Mesdags themselves, and exhibited at the museum during the artist’s lifetime. The other works were subsequently acquired by the museum.
A highlight is a large 2023 donation of an album containing works on paper. Now, 75 years after her death, her work is bring displayed for the first time in the Mesdag’s former residence: a place that Van Houten knew well, and where she created many artworks.